They shall expel demons (Prince)

Prince, Derek. They Shall Expel Demons.  Chosen Publishers.

Derek Prince gives an overview of demonology roughly in the same vein as John Wimber and Charles Kraft. This book is level-headed, practical, and filled with sane advice.  Only in a few places does Prince advance strange ideas and even then he is hesitant.  Very accessible and thorough.

Sin and Demons

Prince notes that sometimes our problems are due to our sinful nature and not to demons.  In which case we just need to apply the cross and crucify the flesh.  In other areas it is demonic oppression.

What is a Demon?

This part is tough.  Prince backs up everything he says with Scripture and a lot of it seems to “jive” with observation, yet some of his conclusions run against conventional wisdom.  He notes that the scriptures use several different terms for supernatural entities.  Paul notes that those entities that live in the heavenly places, principalities and powers (Eph. 6:12) are more august, if evil.  I could be mistaken but Paul never (or Daniel for that matter) calls these entities “demons.”  

On the other hand, when Jesus deals with demonic activity it seems to be with earth-bound entities.  Why would angelic beings who rule territories in the heavenly places reduce and limit themselves, for example, to pigs and graveyards?  

Prince notes we “wrestle” with principalities and powers; we “command” demons (95).  If Prince simply wants to make the claim that what we call “demons” is not in the same category as “principalities/powers/dark angels,” then he is probably correct.

Being demonized

A constant variable in demonization is the occult.  Parents who are into the occult, while not necessarily passing a demon on to their kids, bring their kids into a demonic environment.  Another “trigger” is sexual assault, social shock, etc.

Interestingly enough, he warns against the facile laying on of hands. No, we can’t “get a demon” that way, but we can receive negative effects from the one who had the demon (albeit these effects are easily dealt with).

Chemical activities in the brain aren’t demonic manifestations (e.g., smoking, alcoholism) but they can function as a gateway.

The Occult

Two main branches:

(a) Divinization (fortune telling, psychics, ESP; Acts 16:16-22).

(b) Sorcery.  (Drugs, potions, charms, magic, spells, incantations, various forms of music).


“Witchcraft is the universal, primeval religion of fallen humanity” (129).  Prince shows four levels of modern witchcraft:

(1) Open, public, “respectable.”  This is the Church of Satan and the CIA-handler Anton La Vey.

(2) Underground –Covens. This is the classic idea of “witchery.”

(3) Fifth Column, Disguised.  Rock music.  The danger is anything that breaks down one’s moral reasoning faculties (drugs, certain beats, etc).  Another 5th column is New Age.

(4) Work of the Flesh.  Desire for domination.

Do Christians Need Deliverance?

He notes that the new birth is real and shouldn’t be doubted.  But he also points out that when Christians receive the new birth, they might not have had all forces exorcised from them (especially true in more occult cases). Philip’s ministry in Samaria is instructive:  if demons automatically leave a person upon conversion, then why did Philip even bother to cast them out?

Key Points

(1) Demons operate in gangs (180).

(2) If we have opened the door to a demon by saying the wrong thing, we need to cancel it by saying the right thing (183).

(3) The authority to bind or loose. If there is a gang of demons, then bind the strongman first.


(1) Exposes Freemasonry (105, 134).

(2) Breaks new ground in our understanding of demonic activity.

People of the Black Circle

Probably one of Howard’s better short stories.  Admittedly, he has his own stock plot but he makes new developments.  He goes into greater detail in “how” the bad guy magic works.  Here is where it gets unnerving. The story is set in the “Humelians” just north of “Vendhya.”  In other words, the Himalayas just north of India. This is where Tibetan Buddhism is.  Tibetan Buddhism is more occultic than other variants of Buddhism.


Howard is writing in 1920s West Texas.  How did he describe the magical arts of Tibetan Buddhism so accurately?

But on to the story.  It is more of a novella than a short story. While Howard never writes openly about sex, much is implied.  But not so much in this story.

The bad guys are on different levels and some still have human qualities.

The Hermetic Tradition: Review and Principles

Evola, Julius. The Hermetic Tradition.

Short of it: the first half was quite good, but the second half was either incoherent or just plain wrong. Julius Evola correctly notes that the ancient teaching of alchemy wasn’t simply about transmuting metals. It was about developing the soul (or ascending to higher realms). Using alchemical language, he offers a manual for purifying the soul.

In the first half of the book he decodes numerous symbols. These discussions are often exhilarating and always exciting. They reveal a robust metaphysics which has strong affinities with Christianity and Torah/Prophets. For example, “chaos” simply means the realm of undifferentiated potentiality–prime matter. Saturn is heaviness, inertia. “The Tomb,” infamous in Plato, notes the body By itself and apart from the animating spirit, it is dead matter, the flux of chaos. The hermeticist does not want to escape the body because it is bad, but to temporarily separate to reestablish a dominating and causal solar principle.

All well and good. And then comes the second half. To be honest, I am not sure what he was getting at. And it’s probably best I didn’t.

Theses of Hermeticism (and many of these are quite insightful to a classical metaphysic)

En kai pan and Orobouros

  1. Unity: it is not a doctrine but an actual state.  It is represented by a circle 🌕, a line that encloses upon itself.  It is the realm of transcendence.  
  2. Chaos:  the realm of undifferentiated potentiality; prime matter.  
  3. Solar principle:  when the One takes on a center we get the solar principle, ⊙. This is the realm of form and the power of individuation. It is the power of differentiation, of coagula as opposed to solve (37).
  4. The lunar principle:  that upon which the Solar operates.  This is the world of changing and becoming, opposed to the uranian realm of being (35).  
  5. Arsenikon: an alchemical element similar to sun.  Its ideogram is 🕕, A cutting through of prime matter.  
  6. Water principle:  ∇, represents desire, pointing downward to the earth.
  7. Flame: △, oriented to the sun, to the world of forms.
  8. Earth: , the flat line represents the stoppage downward. It stops the fall of the waters.
  9. “Like is known by like.”  To know the four elements man must have in himself the four elements.
  10. Air: breaks the ascending direction of fire.  
  11. Saturn: principle of “heaviness” preceding man. Primordial individuation; Demiourgos.  It is inverted gold, or lead. The Golden Age of yore symbolizes the eternal kingdom of being.
    1. Saturn carries the sickle, which is dissolution and the compass is the power to measure and set limits.
  12. Tomb of Osiris.  This might explain what Plato meant by calling the body a tomb.  By itself and apart from the animating spirit, it is dead matter, the flux of chaos. The hermeticist does not want to escape the body because it is bad, but to temporarily separate to reestablish a dominating and causal solar principle.
  13. Wheels:  Chakras, in Hindu thought.  Resembles a lotus, a key of life and regeneration.

Primordial Man: The original Form being reflected.  The myth of Narcissus; cf. also Plotinus, Enneads, 6.4.14.

The Art of Memory

Yates, Frances. The Art of Memory.

Dame France Yates’ treatise starts off innocently enough: “Orderly arrangement is essential for good memory” (Yates 17). So the ancients thought. The ars memoria by itself is neutral. Yates advances the thesis that Renaissance thinkers used it as a vehicle for the Hermetic tradition. While the medieval tradition did little to develop the art of memory, it did set the stage for Renaissance Neoplatonism, which transformed the art of memory into a hermetic and occultic doctrine (134).

The memory system is a system of memory places and those images “are those of the planetary gods” (148). Renaissance thinkers were quick to say that “memory is organically geared to the universe” (149). As the old hermetic dictum said, “As above, so below.” Renaissance man saw man as quasi-divine and “having the powers of the star rulers” (151). Indeed, he is part “demon,” in fact a “star-demon” (Camillo, Asclepius). In short, thinkers like Camillo and Ficino turned classical memory “into an occult art” (155).

How does Renaissance man “tap into this power?” We have already noted a connection between man and the stars, but what is the “middle man,” so to speak? Yates suggests a “talisman” of sorts. A talisman is any imprinted with perceived powers. Yates suggests that the talismans in this case were planetary images, perhaps the new instantiation of the imagines agentes (159).

The goal of the Hermetic art of memory was the formation of the Magus (161).

Raymond Lull is pivotal because he represents a medium in which Renaissance Neo-Platonists chose a medieval figure for their occultic research. Lull based his structure off of Augustinie’s trinitarian analogies. Lull also introduces the movement of ascending and descending in the Memory Art (181).

Lull is a Christian form of Cabbalism, in which letters stand for divine names which (per some doctrines of simplicity), were the same thing as God (189).

Giordano Bruno and the Shadows

At this point in the narrative the earlier Art of Memory has become a definitive occultic art (200). For some reason Bruno was obsessed with the number 30. In many ways Bruno fine-tunes earlier mnemonic images along a more Neo-Platonic and ontological framework. The stars are now intermediaries (or rather, the spirits behind the stars). The magus will manipulate these images to unlock higher realities. As Yates notes, “the star-images are the ‘shadows of ideas,’ shadows of reality which are nearer in reality than the physical shadows of the lower world” (Yates 213).

Several Hermetic Assumptions in Bruno:
(1) Man’s mind is in some sense divine and connected to the “star governors” of the world (221).
(2) A golden chain connects higher and lower things.

Sub-conclusion: the classical art of memory has been transformed to a “vehicle for the formation of the psyche of a Hermetic mystic and magus” (225). He moves back to a “darker magic,” seeking not a Trinity but a One.


Yates’ work is both exciting and scholarly. She does assume some familiarity, if not with her earlier works, then at least with Renaissance occultism (in the academic sense). Some of the sections towards the end of the work do not always tie in neatly with her thesis, but they are informative nonetheless.

Martyn Lloyd-Jones: A Clean Power

The following  is from John Piper’s talk on Martyn Lloyd-Jones, though I had read the works in question long before I had heard the talk.

Martin Lloyd-Jones’ Personal Experiences of Unusual Power

Lloyd-Jones had enough extraordinary experiences of his own to make him know that he had better be open to what the sovereign God might do.
Another illustration comes from his earlier days at Sandfields. A woman who had been a well-known spirit-medium attended his church one evening. She later testified after her conversion:


 The moment I entered your chapel and sat down on a seat amongst the people, I was conscious of a supernatural power. I was conscious of the same sort of supernatural power I was accustomed to in our spiritist meetings, but there was one big difference; I had the feeling that the power in your chapel was a clean power.”
Iain H. Murray, David Martyn Lloyd-Jones: The First Forty Years (Piper’s website lists the reference as being in volume 2, The Fight of Faith, p. 221, but that is incorrect.  It is in volume 1, page 221.)

Frame: Hegel

I’m always skeptical when people talk about “Hegel” for the large reason they have no clue what they are saying.  He isn’t an easy philosopher and his system has been sidetracked by facile interpretations.

Frame does a good job, though.


Hegel asks “if we cannot know anything about the noumenal, then on what ground should we affirm its existence” (Frame 270)?

Frame is further correct in noting, contra to conservative bloggers, that Hegel never said “Thesis-Antithesis-Synthesis.”  What he means is that whenever you posit or examine something, it will always be somehow contradicted by another facet of reality, thus making way for a new positing.

The key terms here are aufheben (passive participle) and aufgehoben, which can mean something like “canceling” or “sublimating.”


The dialectic means God’s own coming to consciousness.  God himself is being, but whenever we think of being we also think of non-being.  To know being we have to distinguish it from nonbeing.  So to posit being (God) is also to posit nonbeing (God’s shadow).

Thus, God’s thought leads inevitably to a self-alienation (Frame 275).  When God announces “I Am” he divides his subjectivity from his objectivity.  Thus, God always has a negative side. (Frame doesn’t mention it, but this is why Hegel is an occultic thinker).

Hegel and the Hermetic Tradition

Was Hegel a Hermetic occultist? Maybe. Glen Magee takes us on a tour of Hegel’s writings, but unlike other Hegel scholars, Magee places Hegel against the occultic backdrop of his homeland and upbringing. This allows Magee to take seriously the Hermetic references Hegel makes.

But before we can answer that question, we must define Hermeticism. It is a broad tradition of thought that grew out of the writings of Hermes and was expanded and further developed through the infusion of other traditions: alchemy, Kabbalism, mysticism, etc (Magee 1). Magee argues that there are striking similarities and correspondences between Hegel’s thought and theosophic hermeticism: Masonic subtext of initiatory mysticism in Phenomenology, A Boehmian subtext to the Preface of Phenomenology, Kabbalism in his doctrine of Objective Spirit, and Alchemical images in Phil. of Right.

Hegel’s journals included diagrams which could only be found in hermetic grimoires. Later in life he began to publicly identify with occultic figures (4). Hegel knew that men like Boehme and others were tagged as hermetics and if he publicly identified with their teachings, he knew he would be seen as a hermeticist.

Magee, following Dame Frances Yates, gives a brilliant overview of Hermetic history in the Renaissance.


While we have no evidence that Hegel was a Masonic initiate, he collaborated with Masons, wrote Masonic poetry to Masons, and otherwise breathed the hermetic and theosophic air of Swabia.

Whatever else one may think about Freemasonry, and regardless of which conspiracies are true (and no doubt they all are), Freemasonry became a repository for hermetic ideas (53). Unlike their Scottish counterparts, German lodges “were teeming with magical, theosophical, mystical ideas” (56).

We know that Hegel was influenced by Lessing’s play Nathan the Wise (55) and Lessing was a Mason.

Mythology of Reason

Hegel thought a completed philosophy should be accessible to all, albeit in different degrees.

Memory as Occultic Practice

“Philosophy establishes nothing new; what we have brought forth by our reflection is what everyone already took for granted without reflection” (Hegel, EL, 22, quoted in Magee 85).

Hegel acknowledges he is within the mystical tradition (EL, 82).

Memory mediates a society’s passing down of Absolute Spirit (Magee 87).
Magee posits the Mythology of Reason as the key to unlocking Hegel (88).
Speculative Philosophy holds up a mirror (speculum) to the Idea itself: it allows the Idea to comprehend itself (88). In fact, following the Kabbalist tradition, the “mirror” allows one to behold the deeper essence of Spirit (120).
Hegel’s thought seeks to unify conceptual thinking with mythopoetic thinking (91).

Hegel’s Magic Words are the categories of his philosophy. Our access to recollection/Memory is through Imagination (93). Hegel does not seek to tell us what “Substance” or “Absolute” is; it seeks to bring it into being.

This brings us back to the Hermetic Art of Memory. “Imagination” is to evoke from memory the Perennial Philosophy. In other words, to echo Jung, it draws out from within the unconscious.

Kant and the Triads

Hegel said Kant rediscovered (wiedergefundne) the teaching about triads, the triadic form (100, PG 29, 37), thus implying it is a perennial idea. Most importantly, Hegel says Kant rediscovered it, not that it derives from Kant.

Hegel saw Hermetism and Alchemy as manifestations of a collective subconscious and that is how he could take them seriously (Magee 103).

The Divine Triangle

A triangle of Triangles, where each center was also a perimeter. The triangle also has planetary and alchemical symbols. Then there is a letter Hegel wrote to the magician Windischmann on the latter’s mental torments (116). Magee argues that the triangle represents a turning point, a “nocturnal contraction of his essence.”

Aristotle had made a connection between aether and pneuma (Generation of Animals 736b29-737a1). The element in the stars is aether. Insofar as we are capable of receiving that form, we have astral substance.
Hegel drew upon the implicit Hermetic and Boehmian influences of his upbringing in writing PG. We can see a Hermetic Structure:
A = A; All is one (hen kai pan). This is the mystical doctrine of “coincidence of opposites).

Alchemical Elements

Hegel floods his works with alchemical references like “the foaming chalice.” This allows Hegel to identify Spirit with the Infinite, thus avoiding a bad infinity (147). At the end of this Grail Quest Hegel has claimed to attain “Absolute Knowing.”

Hegel holds that the Infinite and the Eternal must be knowable (152).

Moments of the Absolute:

1.Categories of the real and categories of Human Thought
2. The Totality of Conditions is itself the Unconditioned.
3. This is the ding-an-sich.
4. If we can know the totality of conditions, then we can know the thing in itself.
5. The finite things that appear to us are manifestations of the Infinite.

“Mutating the categories”

Magee suggests that these categories–based on certain passages–correspond to Minds (EL, sec. 24 passim). Hegel refers to Logic as “the realm of shades” (Science of Logic, III:47). Could we then read these “minds” as “hypostases”? In any case, is Hegel seeing them as Archetypes, or perhaps shadow-archetypes?

As they stand, these categories/ideas are empty and abstract. Hegel’s concept of the Ungrund corresponds to the ancient idea of aether. It is an ultimate, dynamic ground of all being. It is God as unrealized. This is Pure Indeterminacy.

Hegel sees “Essence” as the abstract caput mortuum (165). It is the negated definition of the Absolute Idea. It “dies” and “falls away,” yet it is the material used for further stages in the dialectic. Thus, there is a parallel between dialectic and alchemical transmutation.

The Kabaalah

We can take our earlier identification of Ungrund = aether and add a new term:

Undgrund = aether = En Sof.

It is from En Sof that the flame begins.

En Sof can parallel Ayin (or Nothing). So Absolute Infinite = Absolute Nothing. This is the primal unity that transcends subject-object distinctions. It’s telos is to develop into a true Subject.

Ayin is to become Ani (Hebr. “I”)

The Sepiroth in Kabbalah delineates the stages of God’s self-realization (169).

The Four Elements

When Hegel speaks of the square he generally has in mind the four elements (192). The triangle is the symbolic form of spirit, the square of nature. Hegel is saying that man’s consciousness exists within these four elements. And by Hegel’s time, Magee notes, the “four elements/square” had become so connected with alchemy that one couldn’t dissociate the images (193). Further, magicians and alchemists routinely made tables where the elements of one sphere corresponded to the elements of another. Hegel makes such an association in Phil. Nature, sec. 280).


Is Hegel a Hermetic? While we don’t have any journal that says, “Today I embraced Hermeticism,” we can see that he came from an occultic background, utilized occultic symbols, identified with occultic figures in public at the end of his career, and otherwise followed the same Occultic path.